Toutes peintures ā l'huile d'Jean Hey


ID Image Painting(From A to Z)    Details 
2169  
Jean Hey, Anne of France
 
 Anne of France   1492-93 Musee du Louvre, Paris
2172  
Jean Hey, Madeline of Burgundy
 
 Madeline of Burgundy   1490 Musee du Louvre, Paris
2170  
Jean Hey, Pierre II
 
 Pierre II   Musee du Louvre, Paris
20016  
Jean Hey, Pierre II Duke of Bourbon Presented by St Peter (mk05)
 
 Pierre II Duke of Bourbon Presented by St Peter (mk05)   ca 1492-1493 Wood 28 1/2 x 25 1/2\'\'(73 x 65 cm)Entered the Louvre in 1842
2174  
Jean Hey, Portrait of Charles II of Bourbon
 
 Portrait of Charles II of Bourbon   1488 Pinakothek, Munich
2171  
Jean Hey, Portrait of Margaret of Austria
 
 Portrait of Margaret of Austria   1490-91 Metropolitan Museum of Art, New York
20014  
Jean Hey, Portrait Presumed to be of Madeleine of Burgundy (mk05)
 
 Portrait Presumed to be of Madeleine of Burgundy (mk05)   Presented by st Madeleine Wood 22 x 15 1/2''(56 x 40 cm)Entered the Louvre in 1904
2176  
Jean Hey, Suzanne of Bourbon
 
 Suzanne of Bourbon   Musee du Louvre, Paris
20015  
Jean Hey, Suzanne of Bourbon Called Child at Prayer (mk05)
 
 Suzanne of Bourbon Called Child at Prayer (mk05)   Wood 10 1/2 x 6 1/4''(27 x 16 cm)Entered the Louvre in 1908
2168  
Jean Hey, The Dauphin Charles Orlant
 
 The Dauphin Charles Orlant   Musee du Louvre, Paris
42002  
Jean Hey, The Madonna of the Apocalypse
 
 The Madonna of the Apocalypse   mk166 1480-1500 Painting Cathedral of Moulins France
2175  
Jean Hey, The Nativity of Cardinal Jean Rolin
 
 The Nativity of Cardinal Jean Rolin   1480 Musee Rolin, Autun
2173  
Jean Hey, The Virgin in Glory Surrounded by Angels
 
 The Virgin in Glory Surrounded by Angels   1489-99 Notre Dame, Moulins

Jean Hey
Flemish Northern Renaissance Painter, active 1480-1500 Until the late 20th century, the name of the painter of the Moulins Triptych was unknown, although art historians identified a number of other works that were evidently by the same hand. The first monograph on the Master of Moulins, written in 1961 by Madeleine Huillet d'Istria, argued that this artist did not actually exist, and that more than 12 different artists were responsible for the corpus of works traditionally ascribed to him. The Master's identity was established after an inscription was found on the reverse of a damaged painting, Christ with Crown of Thorns (1494) in the Royal Museums of Fine Arts of Belgium, Brussels, identifying the artist as Jean Hey, teutonicus and pictor egregius ("the famous painter"), and identifying the patron as Jean Cueillette, who was secretary to the King and an associate of the Bourbon family.Stylistic similarities link this painting to the works attributed to the Master of Moulins. The Master of Moulins appears to have been the court painter for the Bourbons, and from a surviving account for 1502-03, it is clear that the court painter's name was Jean; other candidates once considered plausible, such as Jean Perreal and Jean Prevost, have proven untenable in the light of subsequent research. The term "Teutonicus", or "German" included Flemings at this date.



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